On this CD, devoted entirely to Mozart arias, she sings more than an hour’s worth of wickedly difficult music–and not for a moment do we feel as if we’re listening to an automaton, as can so often be the case. The singer returned to the studio, however, and in released her first English-language album, Pictures of America. Listeners Also Played See All. Dal tuo gentil sembiante. O zittre nicht, mein lieber Sohn! French soprano Natalie Dessay first rose to global prominence in , winning first prize at the International Mozart Competition in Vienna.
We could not find iTunes on your computer. For a better shopping experience, please upgrade now. Review This Title Share on Facebook. As far as the first 7 tracks are concerned, no piece is really free of these defects though they could not disguise the fact that the first of the Zaide arias is a particularly beautiful piece. A year later, the same label issued Between Yesterday and Tomorrow, a previously unrecorded Legrand oratorio for one voice and orchestra that had been offered to Barbra Streisand in the ’70s.
Dessay even makes the oft-maligned Queen of the Night seem more human than demonic, more natalie dessay mozart heroines in her rage than purely evil. Traurigkeit ward mir zum Lose.
Zaide, K b: Les Contes d’Hoffmann, Acte 2: Were some of the other arias prepared specially for this disc, and prepared too quickly?
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Lucio Silla, K Wetze nur die Klauen Ascanio in Alba: On this CD, devoted entirely to Mozart arias, she sings more than an hour’s worth of wickedly difficult music–and not for a moment do we feel as if we’re listening to an automaton, as can so often be the case.
Mitridate, re di Ponte Natalie dessay mozart heroines – Paris.
MOZART HEROINES [CH]: Classical CD Reviews- March MusicWeb(UK)
Gramophone products and those of specially selected partners from the world of music. That same year, after appearing at the Met in Handel’s Giulio Cesare and in Toulouse as Massenet’s Manon, Dessay, still in her late forties, natalie dessay mozart heroines from the opera stage. What is indisputably heroic throughout this album is Dessay’s singing: The microphone also catches a slight hardening of tone, bordering on natalie dessay mozart heroines, which is largely absent from the rest of her singing here.
O zittre nicht, mein lieber Sohn!
In today’s star-oriented world this might seem a fault in the right direction, but I should like to have known which of these roles Natalie Dessay has sung on stage. In the opening Queen of the Night piece her squally tone around the Gs and As left little natalie dessay mozart heroines for her top Fs, but this part natalie dessay mozart heroines the voice proved to be sweet and natural elsewhere she manages a passable top G, and, at the other extreme, she can also descend to a B without recourse to chest tones.
O zittre nicht, mein lieber Sohn! The singer returned to the studio, however, and in released her first English-language album, Pictures of America.
Mozart Heroines |
Has she had particular stage experience of these works under a conductor with a firm hand? Wetze nur die Klauen. Usually ships in 24 hours. I natalie dessay mozart heroines continue listing the set’s virtues–the tour de force from Ascanio in Alba, a “Martern aller arten” with tiny embellishments of Dessay’s own choosing as if the aria weren’t tough enough –but feel no need to.
Rather, she uses it to portray a range of compelling characters: Dal tuo gentil sembiante. The squally area in the middle-upper register comes under control only in a few pianissimo passages which are exquisite on occasion and the coloratura alternates between successfully negotiated passages and those which are virtually screamed out. With singing as dazzling as Dessay’s, it’s easy at first to neglect the excellent and idiomatic contribution of the Orchestra of the Age of Enlightenment.
natalie dessay mozart heroines
These are not stunts; they are expressions by characters in situations–some sad, some mad, some glad. Ruhe sanft, mein holdes Leben; Tiger! Product Details Release Date: Be the first to review this title. Wolfgang Amadeus Mozart Composer.
I Natalie dessay mozart heroines e i Montecchi, Act 1: Perhaps in the theatre one would crave a richer-sounding voice, but Dessay colours her tone so effectively that the aria touches all the right emotional spots.
Similar feeling is expressed in Konstanze’s “Traurigkeit”, perhaps one of the most poignant arias ever penned. The conductor, a name new to me, obtains playing of notable precision and vitality and the recording is excellent.