As far as the first 7 tracks are concerned, no piece is really free of these defects though they could not disguise the fact that the first of the Zaide arias is a particularly beautiful piece. O zittre nicht, mein lieber Sohn! Enabling JavaScript in your browser will allow you to experience all the features of our site. Ruhe sanft, mein holdes Leben. Ascanio in Alba K These are not stunts; they are expressions by characters in situations–some sad, some mad, some glad.

Product Details Release Date: Opening with the Queen of the Night’s second aria is razzle-dazzle. We could not find iTunes on your computer. Rather, she uses it to portray a range of compelling characters: It takes a long time to get new music well and truly into the voice and Dessay proves that she could have sung all this music really well. Ruhe sanft, mein holdes Leben.

Listen on Apple Music. Ascanio in Alba K As it is, I don’t see how I can recommend the disc for just two or three arias and Natalie dessay mozart heroines hope to be able to write better of this soprano on another occasion.

MOZART HEROINES [CH]: Classical CD Reviews- March MusicWeb(UK)

Opera shows us that heroism manifests itself in many shapes and sizes, even when it comes to recital albums. I Capuleti e i Montecchi, Act 1: Lucio Silla, K Music that natalie dessay mozart heroines merely virtuosic or more merely high when sung by even some of the finest coloraturas ever, becomes meaningful and beautiful when emerging from Dessay’s golden throat and keen mind.

As far as the first 7 tracks are concerned, no piece is really free of natalie dessay mozart heroines defects though they could not disguise the fact that the first of the Zaide arias is a particularly beautiful piece.

She dispatches all the fireworks and gleaming high notes with ease and consummate flair, as if this elaborately difficult music were the most natural thing in the world. I could continue listing the set’s virtues–the tour de force from Ascanio in Alba, a “Martern natalie dessay mozart heroines arten” with tiny embellishments of Dessay’s own choosing as if the aria weren’t tough enough –but feel no need to.

Be the first to review this title. Ruhe sanft, mein holdes Leben; Tiger! Ah se il crudel periglio. Wolfgang Amadeus Mozart Composer.

Uh-oh, it looks like your Internet Explorer is out of date. O zittre nicht, mein lieber Sohn! These are not stunts; they are expressions by characters in situations–some sad, some mad, some glad. O zittre nicht, mein lieber Sohn!

Mozart Heroines

Airs de Concert Natalie Dessay. Listeners Also Played See All. Wolfgang Amadeus Mozart Performer: This is a must-have–hands down.

natalie dessay mozart heroines Were some of the other arias prepared specially for this disc, and prepared too quickly? Mitridate, re di Ponte Rio – Paris. To tell the truth the early stages of this disc left me dismayed, and somewhat embarrassed as to what I could write about it.

Ruhe sanft, mein holdes Leben. Ascanio in Alba, K It takes a long time to get new music well and truly into the voice and Dessay proves that she could have sung all this music really well. The CD’s second selection keeps her in The Magic Flute but she changes to the role of Pamina, and I doubt we’ll ever hear the aria sung more stunningly, with longing and sadness, a slight pleading emphasis on the second syllable of Tamino’s name, accompanied by exquisite pianissimos and a legato to die for.

In the opening Queen of the Natalie dessay mozart heroines piece her squally tone around the Gs and As left little hope for her top Fs, but this part of the voice proved to be sweet and natural elsewhere she manages a passable top G, and, at the other extreme, natalie dessay mozart heroines can also descend to a B without recourse to chest tones. Actually, the album’s title is a tad misleading, for among the famous natalie dessay mozart heroines of Mozart’s operas, only Konstanze of Abduction from the Seraglio and Pamina of The Magic Flute are represented here, along with one notorious anitheroine, the Queen of the Night.

Traurigkeit ward mir zum Lose. In today’s star-oriented world this might seem a fault in the right direction, but I should like to have known which of these roles Natalie Dessay has sung on stage. A year later, the same label issued Between Yesterday and Tomorrow, a previously unrecorded Legrand oratorio for one voice and orchestra that had been offered to Barbra Streisand in the ’70s. Traurigkeit is really a beautiful piece of singing while the manifold difficulties of Martern aller Arten are confidently natalie dessay mozart heroines.

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